I’ve been looking forward to interviewing Nora Twomey, especially now that her empowering adaptation of The Breadwinner has arrived, with the aid of Angelina Jolie, to shine a light back on Afghanistan, still in the crosshairs of the longest war in American history.
One of our most persistent fictions of climate change is that the food industry, whose waste and emissions must be brought under immediate control if we are to survive the Anthropocene, can live without immigrants, whose existence puts the lie to nations and nationalism.
As the establishment continues to reject toxic industry, the movement to place our attention on issues worth the public’s time is reaching critical mass. And that movement will likely sweep The Breadwinner into awards season.
My latest investigation for Civil Eats is not so much alarming as predictable. The current presidential administration, already an international laughingstock, has targeted farmers markets for elimination. The punishment? Death by pointless cuts.
Some of the most influential animation in history have come from the hearts and minds of Phil LaMarr and Carl Jones, including The Boondocks, Samurai Jack, and more. That was all I needed to pick up the phone.
It may not seem like we need to have a three-day festival in Hollywood celebrating animation as cinema with a capital C. But if that was the case, I would not have spent the weekend with my girls in Hollywood at the Animation Is Film festival, watching stunning animated cinema and interviewing talented directors.
For decades, cooler-headed Canada has helped lead the way in animation innovation and mindful programming. Its rising studio Guru is carrying those goals forward, with the help of Pharrell Williams, in the fantastic new Netflix series, True and the Rainbow Kingdom.
This expressive war epic from the assistant director of Kiki’s Delivery Service handles the toughest of topics with art, skill and grace. I spoke with director Sunao Katabuchi for Cartoon Brew.
Stephen King’s horror novel never saw this real-time nightmare coming. A state-sized dead zone at the bottom of the South, which is so deprived of oxygen it might as well be deep space — which is, recalling Alien, where no one can hear you scream.
The fact that Amazon chose to invest a healthy budget in Titmouse and Niko, in search of staying power and cultural relevance, should be a warning shot to the animation business as usual. After all, as Titmouse told me, we’re in a cartoon gold rush.
I’ve spoken a few times with animation auteur, Ralph Bakshi, who pioneered the pathways of underground and overground cartoons for decades. This time, we analyze the live-action/animation merge of Cool World, which like its foundational forebear, Lord of the Rings, created the CGI universe we take for granted today.
It is my honor to be writing for the Center for Biological Diversity’s shiny new publication, The Revelator. My first piece is an interview with the fearless Jeff Orlowski, director of Chasing Ice, and now, Chasing Coral.
An assistant director on Hayao Miyazaki’s sublime, stunning Kiki’s Delivery Service, Sunao Katabuchi has since made his name well-known in anime film and television. But his impressive new film, the award-winning Hiroshima epic, In This Corner of the World, might make him a household name worldwide.
We are slaves to fossil fuels, Chasing Ice director Jeff Orlowski once told me. His new film, Chasing Coral, may find that we have also broken our (food) chains.
When I first learned that Matthew Rankin was crafting a surreal short about Nikola Tesla, I knew I soon would be picking his fertile brain about free energy, bird love, and why dystopians are marching to the sixth mass extinction.
My latest piece for Civil Eats chronicles the victory of sanity over nonsense, Earth over concrete, regeneration over regression. It was an honor to write, and even more brilliant to witness in person.
The debut trailer of Cartoon Saloon’s newest animated exploration has come at last.
An international collaboration directed by the gifted Nora Twomey, who I’ll interview later this year, and co-produced by Angelina Jolie, whom you may have heard of, The Breadwinner examines the terror and terraformation of Afghanistan through a gender-fluid prism quite rare for animation.
The National Film Board of Canada is responsible for some of the finest animation the world has ever seen. It has also created world-changing documentaries exploring and analyzing how and why our world changes as it does, for better and worse.
From director Tomm Moore’s Oscar-nominated masterpieces The Secret of Kells and Song of the Sea, to director Nora Twomey’s The Breadwinner and beyond into the great unknown, the indie studio that was once international animation’s best-kept secret is a secret no longer.
Jeff Lemire has been creating some of the most unique comics of the last decade. Just ask Ryan Gosling, whose interest in Lemire’s recent stunner, Underwater Welder, may bear cinematic fruit.
I am honored to explore the entire University of California system’s sustainable food efforts for my first piece at Civil Eats. Greening these influential universities will upgrade our state’s profile and power, especially if we can reach full sustainability in the short term, which is no easy feat.
It’s always a surreal blast when the past arrives in the present, especially if it’s my interview with the defiantly principled punk pioneer, Jello Biafra.
Last year, I once again interviewed Samurai Jack creator and animation auteur, Genndy Tartakovsky, who told me the samurai’s arrival was imminent. Now here he is, in all of his glory and wonder, when we need him most.
There aren’t enough ways for me to thank Sleater-Kinney for returning from hiatus, even if it was to a sleepy hyperreality still needing to be shaken awake with punk power and poetics.
Let’s turn back to the greatest jam band on the bones, and a master of literary horror, reanimated.