Nearly two decades (and 40 million viewers) after signal boosts from early adopters like yours truly, Adult Swim reboots Harvey Birdman’s postmodern satire for an intersectional epoch.
Avatar: The Last Airbender and Legend of Korra finally arrive at a compromise, from opposite coordinates.
Enjoy this holiday sneak peek of The Beatles: Get Back, knowing its reprogramming is all we have left of The Beatles, as the original fades.
“I see this 21st Century malaise reaching its snapping point,” Rankin explained. “Last century saw the rise of innumerable idealistic movements. This traumatized world is the one we inherited.”
The most powerful woman on television is back on television, where she belongs. We need her, more than ever.
Fifty years ago, The Beatles tragically left us, after changing the world for almost a decade. And what they left us with, like much of what they made, sequenced the genes for the recombined culture to come.
The bad news? A decade later, Deepwater Horizon remains one the worst environmental disasters in human history. The good news? A decade later, oil is dead.
A decade ago, I wrote about the myriad ways our planet would refuse to put up with us. Today, I look back, during a global lockdown, as a zoonotic dystopia borne from our ceaseless invasion of Earth ravages so-called civilization.
Zoonoses are infectious diseases that fatally strike back after humanity extracts too deeply from their non-human environments, which are under repeated siege from capitalism and worse.
Harman’s animated anti-war masterpiece is both a harrowing and instructive climate fiction about what happens when humanity pushes itself and its planet (and that planet’s myriad species) to the brink of extinction.
Correcting an historical injustice, El-P’s singular, relevant back catalogue will finally return to the land of material and digital reality.
Givng thanks on Thanksgiving for the letters DJ Shadow has been sending, explaining why and where and how the music from his latest, perhaps greatest effort, Our Pathetic Age, was born.
A decade ago, I helped give birth to a movement. It doesn’t matter if anyone knows. All that matters is the movement.
Captivated by global warming and shortly before I called it cli-fi, I researched and reported the myriad ways life on Earth could die. Few were more terrifying than hydrogen sulfide.
A decade ago, I talked to the Pacific Institute about their report predicting that the coastal metropolis of California, the world’s fifth largest economy, would be swallowed by global warming.
Writing about animation provides me the opportunity to probe the minds of brave filmmakers working against stereotype and industry. That struggle found an apotheosis in the surreal fever dream of Birdboy.
My latest investigation for Civil Eats is not so much alarming as predictable. The current presidential administration, already an international laughingstock, has targeted farmers markets for elimination. The punishment? Death by pointless cuts.
It may not seem like we need to have a three-day festival in Hollywood celebrating animation as cinema with a capital C. But if that was the case, I would not have spent the weekend with my girls in Hollywood at the Animation Is Film festival.
This expressive war epic from the assistant director of Kiki’s Delivery Service handles the toughest of topics with art, skill and grace. I spoke with director Sunao Katabuchi for Cartoon Brew.
It is my honor to be writing for the Center for Biological Diversity’s shiny new publication, The Revelator. My first piece is an interview with the fearless Jeff Orlowski, director of Chasing Ice, and now, Chasing Coral.
My latest piece for Civil Eats chronicles the victory of sanity over nonsense, Earth over concrete, regeneration over regression. It was an honor to write, and even more brilliant to witness in person.
I am honored to explore the entire University of California system’s sustainable food efforts for my first piece at Civil Eats. Greening these influential universities will upgrade our state’s profile and power, especially if we can reach full sustainability in the short term, which is no easy feat.
They called me into the office around dawn.
“We want you to clear out the National Parks.”
Black Francis and crew have a new full-length effort out called Head Carrier.
I’ve been writing about Autolux for years, and yet they always sound fresh to me