A captivating exploration of the forces and flows that cover well over half of our overheating planet, Children of the Sea is essential cli-fi.
The most powerful woman on television is back on television, where she belongs. We need her, more than ever.
Fifty years ago, The Beatles tragically left us, after changing the world for almost a decade. And what they left us with, like much of what they made, sequenced the genes for the recombined culture to come.
Great news, for an internetworked world locked down, looking for hope. Kipo and the Age of Wonderbeasts is returning for a second season.
Astounding post-apocalyptic animation with both humor and heart is hard to come by these days, as our burning world exponentially slides deeper into climate crisis. Thank our Mother Earth that Kipo and the Age of Wonderbeasts is here to soothe that burn.
What I wanted this year was one of the greatest animated series ever, created by one of the greatest animators ever, to blessedly return for a second chance at changing programming as usual.
Harman’s animated anti-war masterpiece is both a harrowing and instructive climate fiction about what happens when humanity pushes itself and its planet (and that planet’s myriad species) to the brink of extinction.
Once upon a time, The Legend Of Korra’s feminist, elemental superhero was one of the most powerful on television. Male, or female, or other, and/or another.
Miyazaki is a name, and a legend, not to be taken lightly. This historical truth alone is worth a viewing of Goro Miyazaki’s Ronja, The Robber’s Daughter, a rewarding animated adaptation of Astrid Lindgren’s fantastic coming-of-age cli-fi.
While so many of us may remember the pathbreaking Who Framed Roger Rabbit, how many of us remember the relentless Richard Williams himself, the iconoclastic animator who influenced so many, while somehow remaining a secret?
Now celebrating its 20th anniversary, director Brad Bird’s masterpiece of war and peace has only grown in legend and influence
Princess Mononoke meets The Never-Ending Man, as Hayao Miyazaki’s blessed return inches closer to the cli-fi future he chronicled, as it happened.
The animation of Masaaki Yuasa is singular in the sense that we have seen nothing truly like it, yet it would not exist without its anxiety of influences.
A towering influence.
And yet he still left so much to be discovered.
I watch his art each night before dreaming.
Rest in peace, dear influential.
In our apocalyptic epoch, sometimes you need an old-school good time grounded in the natural world. Enter The Big Bad Fox and Other Tales, from the directors of the wondrous Ernest and Celestine, who I interviewed ahead of their consecutive Academy Awards nod.
Writing about animation provides me the opportunity to probe the minds of brave filmmakers working against stereotype and industry. That struggle found an apotheosis in the surreal fever dream of Birdboy.
I’ve been looking forward to interviewing Nora Twomey, especially now that her empowering adaptation of The Breadwinner has arrived, with the aid of Angelina Jolie, to shine a light back on Afghanistan, still in the crosshairs of the longest war in American history.
Some of the most influential animation in history have come from the hearts and minds of Phil LaMarr and Carl Jones, including The Boondocks, Samurai Jack, and more. That was all I needed to pick up the phone.
It may not seem like we need to have a three-day festival in Hollywood celebrating animation as cinema with a capital C. But if that was the case, I would not have spent the weekend with my girls in Hollywood at the Animation Is Film festival.
For decades, cooler-headed Canada has helped lead the way in animation innovation and mindful programming. Its rising studio Guru is carrying those goals forward in the fantastic new Netflix series, True and the Rainbow Kingdom.
Written by an immigrant Jew hounded by Hitler, and envisioned by a Chinese immigrant dreaming of America, Walt Disney’s Bambi remains an unheeded warning of terror and terraformation, sadly forgotten by a burning world careening into an exponential apocalypse.
This expressive war epic from the assistant director of Kiki’s Delivery Service handles the toughest of topics with art, skill and grace. I spoke with director Sunao Katabuchi for Cartoon Brew.
The fact that Amazon chose to invest a healthy budget in Titmouse and Niko, in search of staying power and cultural relevance, should be a warning shot to the animation business as usual. After all, as Titmouse told me, we’re in a cartoon gold rush.
I’ve spoken a few times with animation auteur, Ralph Bakshi, who pioneered the pathways of underground and overground cartoons for decades. This time, we analyze the live-action/animation merge of Cool World, which like its foundational forebear, Lord of the Rings, created the CGI universe we take for granted today.
An assistant director on Hayao Miyazaki’s sublime, stunning Kiki’s Delivery Service, Sunao Katabuchi has since made his name well-known in anime film and television. But his impressive new film, the award-winning Hiroshima epic, In This Corner of the World, might make him a household name worldwide.