For decades, cooler-headed Canada has helped lead the way in animation innovation and mindful programming. Its rising studio Guru is carrying those goals forward, with the help of Pharrell Williams, in the fantastic new Netflix series, True and the Rainbow Kingdom.
Written by an immigrant Jew hounded by Hitler, and envisioned by a Chinese immigrant dreaming of America, Walt Disney’s Bambi remains an unheeded warning of terror and terraformation, sadly forgotten by a burning world careening into an exponential apocalypse.
This expressive war epic from the assistant director of Kiki’s Delivery Service handles the toughest of topics with art, skill and grace. I spoke with director Sunao Katabuchi for Cartoon Brew.
Stephen King’s horror novel never saw this real-time nightmare coming. A state-sized dead zone at the bottom of the South, which is so deprived of oxygen it might as well be deep space — which is, recalling Alien, where no one can hear you scream.
The fact that Amazon chose to invest a healthy budget in Titmouse and Niko, in search of staying power and cultural relevance, should be a warning shot to the animation business as usual. After all, as Titmouse told me, we’re in a cartoon gold rush.
I’ve spoken a few times with animation auteur, Ralph Bakshi, who pioneered the pathways of underground and overground cartoons for decades. This time, we analyze the live-action/animation merge of Cool World, which like its foundational forebear, Lord of the Rings, created the CGI universe we take for granted today.
It is my honor to be writing for the Center for Biological Diversity’s shiny new publication, The Revelator. My first piece is an interview with the fearless Jeff Orlowski, director of Chasing Ice, and now, Chasing Coral.
An assistant director on Hayao Miyazaki’s sublime, stunning Kiki’s Delivery Service, Sunao Katabuchi has since made his name well-known in anime film and television. But his impressive new film, the award-winning Hiroshima epic, In This Corner of the World, might make him a household name worldwide.
For me, there’s only one song that explains the United States of America falling apart in the 21st century, and it is probably no cosmological accident that it is written by the late, great Chris Cornell and Soundgarden.
Revolutionary filmmakers are shaping the future of cinema by analyzing our destabilized planet. Snowpiercer director Bong Joon Ho’s new vision Okja, out today from Netflix, was inspired by biodiversity at the mercy of capitalization and extinction.
Few artists have soundtracked my life like Chris Cornell. Now, from beyond an early, tragic grave, he warns Earth to rid itself of war before it is too late.
We are slaves to fossil fuels, Chasing Ice director Jeff Orlowski once told me. His new film, Chasing Coral, may find that we have also broken our (food) chains.
When I first learned that Matthew Rankin was crafting a surreal short about Nikola Tesla, I knew I soon would be picking his fertile brain about free energy, bird love, and why dystopians are marching to the sixth mass extinction.
My latest piece for Civil Eats chronicles the victory of sanity over nonsense, Earth over concrete, regeneration over regression. It was an honor to write, and even more brilliant to witness in person.
Today, I sit here stunned, sifting through press releases telling me what Chris, and Soundgarden, and Temple of the Dog, and Audioslave, and every other artist that Cornell’s widening influence deeply touched have been doing for the last several years.
The debut trailer of Cartoon Saloon’s newest animated exploration has come at last.
An international collaboration directed by the gifted Nora Twomey, who I’ll interview later this year, and co-produced by Angelina Jolie, whom you may have heard of, The Breadwinner examines the terror and terraformation of Afghanistan through a gender-fluid prism quite rare for animation.
Few have sequenced the genes of future music as much as Mulatu Astatke, whose dizzying sonic explorations have skillfully skipped across jazz, soul, funk and much more. Those new to Mulatu of Ethiopia seeking a launch window might as well start with a new reissue of … Mulatu of Ethiopia.
The National Film Board of Canada is responsible for some of the finest animation the world has ever seen. It has also created world-changing documentaries exploring and analyzing how and why our world changes as it does, for better and worse.
Another great perk writing for the conscientious Civil Eats? Greens from across the sociocultural spectrum sharing my data.
Al Gore once famously asked, “Well, what can you do?”