It is my honor to be writing for the Center for Biological Diversity’s shiny new publication, The Revelator. My first piece is an interview with the fearless Jeff Orlowski, director of Chasing Ice, and now, Chasing Coral.
An assistant director on Hayao Miyazaki’s sublime, stunning Kiki’s Delivery Service, Sunao Katabuchi has since made his name well-known in anime film and television. But his impressive new film, the award-winning Hiroshima epic, In This Corner of the World, might make him a household name worldwide.
For me, there’s only one song that explains the United States of America falling apart in the 21st century, and it is probably no cosmological accident that it is written by the late, great Chris Cornell and Soundgarden.
Revolutionary filmmakers are shaping the future of cinema by analyzing our destabilized planet. Snowpiercer director Bong Joon Ho’s new vision Okja, out today from Netflix, was inspired by biodiversity at the mercy of capitalization and extinction.
Few artists have soundtracked my life like Chris Cornell. Now, from beyond an early, tragic grave, he warns Earth to rid itself of war before it is too late.
We are slaves to fossil fuels, Chasing Ice director Jeff Orlowski once told me. His new film, Chasing Coral, may find that we have also broken our (food) chains.
When I first learned that Matthew Rankin was crafting a surreal short about Nikola Tesla, I knew I soon would be picking his fertile brain about free energy, bird love, and why dystopians are marching to the sixth mass extinction.
My latest piece for Civil Eats chronicles the victory of sanity over nonsense, Earth over concrete, regeneration over regression. It was an honor to write, and even more brilliant to witness in person.
Today, I sit here stunned, sifting through press releases telling me what Chris, and Soundgarden, and Temple of the Dog, and Audioslave, and every other artist that Cornell’s widening influence deeply touched have been doing for the last several years.
The debut trailer of Cartoon Saloon’s newest animated exploration has come at last.
An international collaboration directed by the gifted Nora Twomey, who I’ll interview later this year, and co-produced by Angelina Jolie, whom you may have heard of, The Breadwinner examines the terror and terraformation of Afghanistan through a gender-fluid prism quite rare for animation.
Few have sequenced the genes of future music as much as Mulatu Astatke, whose dizzying sonic explorations have skillfully skipped across jazz, soul, funk and much more. Those new to Mulatu of Ethiopia seeking a launch window might as well start with a new reissue of … Mulatu of Ethiopia.
The National Film Board of Canada is responsible for some of the finest animation the world has ever seen. It has also created world-changing documentaries exploring and analyzing how and why our world changes as it does, for better and worse.
Another great perk writing for the conscientious Civil Eats? Greens from across the sociocultural spectrum sharing my data.
Al Gore once famously asked, “Well, what can you do?”
In our world of perpetual war, creator William Moulton Marston’s subversive, aspirational Amazonian intertext has returned to the battlefront, with mainstream audiences and Wall Street earnings in mind.
One of the great things about writing for Civil Eats is that I get a chance to explore several existential concerns at once. For my second piece, I was lucky enough to analyze and evangelize solarization, decarbonization and an agricultural infrastructure with a future.
From director Tomm Moore’s Oscar-nominated masterpieces The Secret of Kells and Song of the Sea, to director Nora Twomey’s The Breadwinner and beyond into the great unknown, the indie studio that was once international animation’s best-kept secret is a secret no longer.
Earth seeds itself. Then we get involved. Then you get what we have, right now: An extinction. From the makers of Queen of the Sun: What are the Bees Telling Us?, another exploration of an apocalypse we manufactured with our own hearts and minds.
Jeff Lemire has been creating some of the most unique comics of the last decade. Just ask Ryan Gosling, whose interest in Lemire’s recent stunner, Underwater Welder, may bear cinematic fruit.
Nathan Means of Trans Am has been a friend to Morphizm for many years now, as a contributor as well as an interviewee. Plus, his power trio shreds. Speaking of…