Those of us who have been watching Michelle Yeoh with admiration for years — and those of us who have been wishing just as long that sci-fi would dream with more ambition — have unearthed the eternal motherlode.
A cli-fi masterpiece of nature and power, violence and the sacred.
How has it taken me this long to see? What does it matter?
On this day, after the one known so well as Christmas, The Beatles beamed a sloppy, surreal cult standout into holiday televisions, confounding many and captivating few.
It’s hard to believe that My Bloody Valentine’s epochal Loveless debuted 30 years ago. Few releases since have been as singular, riveting, exploratory, immediately identifiable.
Hayao Miyazaki has mastered the art of cli-fi. And yet so many of his earlier visions have remained out of sight and out of mind.
You’re never too young to shock the world. Or change it. Los Angeles quartet The Linda Lindas have done both. Now they have a legendary punk label on their side to prove it.
Devastating. A visionary, a disciple, a legend. Cali’s finest. A heartbreaking year for hip hop. #RIPShockG
Nearly two decades (and 40 million viewers) after signal boosts from early adopters like yours truly, Adult Swim reboots Harvey Birdman’s postmodern satire for an intersectional epoch.
Avatar: The Last Airbender and Legend of Korra finally arrive at a compromise, from opposite coordinates.
Enjoy this holiday sneak peek of The Beatles: Get Back, knowing its reprogramming is all we have left of The Beatles, as the original fades.
Fifty years after the passing of The Beatles, McCartney has again added his voice to our turbulent time.
Two presidential terms ago, I bowed deep before a momentous election to the Gravediggaz, hoping to exorcise eight years of apocalyptic Republican rule. Here we go again.
We have been thankfully kept sane during this apocalyptic epoch by an animated comedy anchored in species solidarity and spirited rewilding. But no longer.
A child of climate crisis, Greta Thunberg has become a champion in search of solidarity to reclaim our future. And the new documentary I Am Greta is her statement of purpose.
A captivating exploration of the forces and flows that cover well over half of our overheating planet, Children of the Sea is essential cli-fi.
The most powerful woman on television is back on television, where she belongs. We need her, more than ever.
The only thing that seems to lessen the Dead Zone asphyxiating the apocalyptic Gulf of Mexico is a globally warmed superstorm.
The legendary Toots and the Maytals return after a decade of silence to ring the alarm on our exponential climate crisis.
Three decades after its thunderous arrival, Swervedriver’s sonic legacy is in the history books. Unfortunately. It has to share space with climate crisis authoritarians
It is long past time to defund and disempower the nuclear industry.
Its weaponization of the renewable energy movement has no place among those committed to unplugging the climate crisis that has brought us to brink of annihilation.
The skies and air may be cleaner than recent memory. But the coronavirus is still inflicting heavy clean energy casualties during a climate crisis that has yet to be fully addressed.
Fifty years ago, The Beatles tragically left us, after changing the world for almost a decade. And what they left us with, like much of what they made, sequenced the genes for the recombined culture to come.
Great news, for an internetworked world locked down, looking for hope. Kipo and the Age of Wonderbeasts is returning for a second season.
A decade ago, I wrote about the myriad ways our planet would refuse to put up with us. Today, I look back, during a global lockdown, as a zoonotic dystopia borne from our ceaseless invasion of Earth ravages so-called civilization.
The iconography of cli-fi sets Pearl Jam’s latest effort afire, as our exponential climate crisis fractures the prism between the personal and the political.