Fifty years ago, The Beatles tragically left us, after changing the world for almost a decade. And what they left us with, like much of what they made, sequenced the genes for the recombined culture to come.
A decade ago, I helped give birth to a movement. It doesn’t matter if anyone knows. All that matters is the movement.
Miyazaki is a name, and a legend, not to be taken lightly. This historical truth alone is worth a viewing of Goro Miyazaki’s Ronja, The Robber’s Daughter, a rewarding animated adaptation of Astrid Lindgren’s fantastic coming-of-age cli-fi.
While so many of us may remember the pathbreaking Who Framed Roger Rabbit, how many of us remember the relentless Richard Williams himself, the iconoclastic animator who influenced so many, while somehow remaining a secret?
Now celebrating its 20th anniversary, director Brad Bird’s masterpiece of war and peace has only grown in legend and influence
Princess Mononoke meets The Never-Ending Man, as Hayao Miyazaki’s blessed return inches closer to the cli-fi future he chronicled, as it happened.
…the dark cipher who rises with our aspirations and sinks with our capitulations
It’s amazing to think I’ve been interviewing Grant Morrison for over a decade now, having read his experimental comics masterpieces for much longer than that. It’s been deep.
A towering influence.
And yet he still left so much to be discovered.
I watch his art each night before dreaming.
Rest in peace, dear influential.
In our apocalyptic epoch, sometimes you need an old-school good time grounded in the natural world. Enter The Big Bad Fox and Other Tales, from the directors of the wondrous Ernest and Celestine, who I interviewed ahead of their consecutive Academy Awards nod.
Writing about animation provides me the opportunity to probe the minds of brave filmmakers working against stereotype and industry. That struggle found an apotheosis in the surreal fever dream of Birdboy.
I’ve been looking forward to interviewing Nora Twomey, especially now that her empowering adaptation of The Breadwinner has arrived, with the aid of Angelina Jolie, to shine a light back on Afghanistan, still in the crosshairs of the longest war in American history.
It may not seem like we need to have a three-day festival in Hollywood celebrating animation as cinema with a capital C. But if that was the case, I would not have spent the weekend with my girls in Hollywood at the Animation Is Film festival.
Written by an immigrant Jew hounded by Hitler, and envisioned by a Chinese immigrant dreaming of America, Walt Disney’s Bambi remains an unheeded warning of terror and terraformation, sadly forgotten by a burning world careening into an exponential apocalypse.
This expressive war epic from the assistant director of Kiki’s Delivery Service handles the toughest of topics with art, skill and grace. I spoke with director Sunao Katabuchi for Cartoon Brew.
An assistant director on Hayao Miyazaki’s sublime, stunning Kiki’s Delivery Service, Sunao Katabuchi has since made his name well-known in anime film and television. But his impressive new film, the award-winning Hiroshima epic, In This Corner of the World, might make him a household name worldwide.
Revolutionary filmmakers are shaping the future of cinema by analyzing our destabilized planet. Snowpiercer director Bong Joon Ho’s new vision Okja, out today from Netflix, was inspired by biodiversity at the mercy of capitalization and extinction.
The National Film Board of Canada is responsible for some of the finest animation the world has ever seen. It has also created world-changing documentaries exploring and analyzing how and why our world changes as it does, for better and worse.
In our world of perpetual war, creator William Moulton Marston’s subversive, aspirational Amazonian intertext has returned to the battlefront, with mainstream audiences and Wall Street earnings in mind.
From director Tomm Moore’s Oscar-nominated masterpieces The Secret of Kells and Song of the Sea, to director Nora Twomey’s The Breadwinner and beyond into the great unknown, the indie studio that was once international animation’s best-kept secret is a secret no longer.
Earth seeds itself. Then we get involved. Then you get what we have, right now: An extinction. From the makers of Queen of the Sun: What are the Bees Telling Us?, another exploration of an apocalypse we manufactured with our own hearts and minds.
Jeff Lemire has been creating some of the most unique comics of the last decade. Just ask Ryan Gosling, whose interest in Lemire’s recent stunner, Underwater Welder, may bear cinematic fruit.
Batman is more than capable of meeting demand across social, economic, political and cultural divides.
A wordless wonder in the tradition of Chaplin, with an eye to rural labor and love, Aardman’s stop-motion masterpiece is for everyone, everywhere.