Happy New Year, Earthlings. Swim with me a bit.
On this day, after the one known so well as Christmas, The Beatles beamed a sloppy, surreal cult standout into holiday televisions, confounding many and captivating few.
It’s hard to believe that My Bloody Valentine’s epochal Loveless debuted 30 years ago. Few releases since have been as singular, riveting, exploratory, immediately identifiable.
As the West is consumed by fire, as predicted fo so long, it is time to bow to my past which no longer exists.
Nearly two decades (and 40 million viewers) after signal boosts from early adopters like yours truly, Adult Swim reboots Harvey Birdman’s postmodern satire for an intersectional epoch.
Avatar: The Last Airbender and Legend of Korra finally arrive at a compromise, from opposite coordinates.
Enjoy this holiday sneak peek of The Beatles: Get Back, knowing its reprogramming is all we have left of The Beatles, as the original fades.
Fifty years after the passing of The Beatles, McCartney has again added his voice to our turbulent time.
“I see this 21st Century malaise reaching its snapping point,” Rankin explained. “Last century saw the rise of innumerable idealistic movements. This traumatized world is the one we inherited.”
Twelve years ago, on the cusp of a new administration, I crafted a list to save the world from climate crisis. Here we go again (again).
Two presidential terms ago, I bowed deep before a momentous election to the Gravediggaz, hoping to exorcise eight years of apocalyptic Republican rule. Here we go again.
The most powerful woman on television is back on television, where she belongs. We need her, more than ever.
Three decades after its thunderous arrival, Swervedriver’s sonic legacy is in the history books. Unfortunately. It has to share space with climate crisis authoritarians
Fifty years ago, The Beatles tragically left us, after changing the world for almost a decade. And what they left us with, like much of what they made, sequenced the genes for the recombined culture to come.
The bad news? A decade later, Deepwater Horizon remains one the worst environmental disasters in human history. The good news? A decade later, oil is dead.
A decade ago, I wrote about the myriad ways our planet would refuse to put up with us. Today, I look back, during a global lockdown, as a zoonotic dystopia borne from our ceaseless invasion of Earth ravages so-called civilization.
Zoonoses are infectious diseases that fatally strike back after humanity extracts too deeply from their non-human environments, which are under repeated siege from capitalism and worse.
What I wanted this year was one of the greatest animated series ever, created by one of the greatest animators ever, to blessedly return for a second chance at changing programming as usual.
We’re on the right track to solarization. We just need speed up the pace, brighen up this planet, and save our sorry asses.
Correcting an historical injustice, El-P’s singular, relevant back catalogue will finally return to the land of material and digital reality.
Givng thanks on Thanksgiving for the letters DJ Shadow has been sending, explaining why and where and how the music from his latest, perhaps greatest effort, Our Pathetic Age, was born.
A decade ago, I helped give birth to a movement. It doesn’t matter if anyone knows. All that matters is the movement.
Now celebrating its 20th anniversary, director Brad Bird’s masterpiece of war and peace has only grown in legend and influence
Elite powers cashing in on actual historical crises whose failures literally led us to where we are today.
When comics influential Karen Berger left DC Comics after leading its mature, visionary imprint Vertigo into the history books, I wrote at Wired that Vertigo would soon follow. I was on or off by a few years, give or take a few years.