Who? The Guggenheim Grotto
Looking for some earnest, digital folk from Ireland? Check out these tender-hearted troubadours I review for Metromix. They make the ladies weep like Joyce would have if he wasn’t a […]
Looking for some earnest, digital folk from Ireland? Check out these tender-hearted troubadours I review for Metromix. They make the ladies weep like Joyce would have if he wasn’t a […]
Back on the Wired beat at last, with a heads-up on Marvel Comics’ cool new series soaked in noir. Who’s firing first? The mutants, of course.
Click the video at right, if you want to skip my pontification. But those of you who have kept track of my spiels for Wired on Stephen Colbert’s riotous A […]
li news fit to print, but no love for the ears?
No worries. This fun mashup of the Pixies’ “Debaser” with Dali and Bunuel’s Un Chien Andalou ought to tide us over until Destino and Banderas’ Dali film hit the screens.
It’s nice that you finally got around to forgiving John Lennon for boasting that The Beatles were bigger than Jesus, who we admit has a birthday coming up. But you might have wanted to pick a better time than the 40th anniversary of The White Album.
David Lynch’s Absurda Studio releases a compilation of his weirdest work.
The holidays are here, and so are the holiday albums. There’s more of them this year than any other year I can remember, which would be great if they were […]
from Femi Kuti to Deerhunter to Juana Molina and onward, there’s a lot of best to best.
Long before popcorn torture porn owned the mallrats or the Pentagon started contracting packs of robots to hunt down non-cooperative humans, Gravediggaz owned horrorcore.
I spent the last couple of days swimming in The Flaming Lips, interviewing front man Wayne Coyne and checking out his deranged holiday events, Christmas on Mars and March of 1,000 Skeletons.
Gang Gang Dance is that rare collective that eschews formal structures for free-for-all experimentation and expression.
“It’s certainly been a busy old year musically,” explains Adam Franklin. No kidding. After releasing a solo disc with his band Bolts of Melody, he reunited with hallowed guitar avengers […]
My sister turned me onto Heroes during its first season, which I downloaded and dug quite nicely. It was cool to see comics on television, and superheroes stretching out their […]
Just in time for my daydream needs.
LONG BEFORE DJ Shadow became an electro-hop legend, he was answering questions online from scrubs like me. Where did you get the guitar riff for “High Noon?” Who the hell was Colonel Bagshot? Do you owe David Axelrod back pay? Then he got too busy to bother.
“I don’t know why CSI Miami likes us so much.”
El-P’s uncompromising poetry and stuttered beats are built only for those looking for the next level.
Frost’s audience crowds the band at the ballad’s finale, as if they didn’t want to let The Beatles go.
I’ve had some mind trips on the San Francisco’s electro-whatever outfit Tussle lately. A spiel for Wired, a review for Metromix. I still haven’t been able to wrap my head […]
Having your cake on climate crisis, fossil fuel addiction, eminent domain, water privatization and corporate earnings — and eating it too.
As the bassist for popular Los Angeles heartbreakers Rilo Kiley, Pierre de Reeder has taken a back seat to two child actors at the peak of their careers. So to […]
I’ve been tailing The Faint for a couple of weeks now, as Metromix asked for an interview and a review. Not a problem, as I’m down with any band, even […]
I posted this entry on Wired last week, but it has since proven to have sturdy legs. Perhaps it is because Rush was a monstrous power trio before it became […]
The trend is virally replicating.
Trent Reznor is a technological visionary, whose bold moves are shifting a bloated music industry behemoth to the internet. But can he still rock? I reviewed his disc for Metromix […]
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