Astounding post-apocalyptic animation with both humor and heart is hard to come by these days, as our burning world exponentially slides deeper into climate crisis. Thank our Mother Earth that Kipo and the Age of Wonderbeasts is here to soothe that burn.
What I wanted this year was one of the greatest animated series ever, created by one of the greatest animators ever, to blessedly return for a second chance at changing programming as usual.
Once upon a time, The Legend Of Korra’s feminist, elemental superhero was one of the most powerful on television. Male, or female, or other, and/or another.
I’ve been looking forward to interviewing Nora Twomey, especially now that her empowering adaptation of The Breadwinner has arrived, with the aid of Angelina Jolie, to shine a light back on Afghanistan, still in the crosshairs of the longest war in American history.
For decades, cooler-headed Canada has helped lead the way in animation innovation and mindful programming. Its rising studio Guru is carrying those goals forward in the fantastic new Netflix series, True and the Rainbow Kingdom.
It is my honor to be writing for the Center for Biological Diversity’s shiny new publication, The Revelator. My first piece is an interview with the fearless Jeff Orlowski, director of Chasing Ice, and now, Chasing Coral.
Revolutionary filmmakers are shaping the future of cinema by analyzing our destabilized planet. Snowpiercer director Bong Joon Ho’s new vision Okja, out today from Netflix, was inspired by biodiversity at the mercy of capitalization and extinction.
We are slaves to fossil fuels, Chasing Ice director Jeff Orlowski once told me. His new film, Chasing Coral, may find that we have also broken our (food) chains.
The infamous German auteur dives beneath the surface of our overheating Earth.