Watchmen Box Office Still Looks Solid
But the dystopian comic blockbuster isn’t dead yet. Far from it.
But the dystopian comic blockbuster isn’t dead yet. Far from it.
It takes nerve to craft a horror story about children in this day and age.
David Lynch’s Absurda Studio releases a compilation of his weirdest work.
How does the robot pack decide which human is cooperative and which is not? Welcome to the wonderful, dystopian world of defense pork.
“We would love to drop some jams for The Hobbit,” Braithwaite cracks. “In fact, I think that Barry should do the voice for Smaug.”
My apologies, but I have been in love with Helen Mirren for years now. She’s beautiful, smart, sickly talented and outspoken. In other words, my kind of fantasy. So when […]
I’ve had some mind trips on the San Francisco’s electro-whatever outfit Tussle lately. A spiel for Wired, a review for Metromix. I still haven’t been able to wrap my head […]
From Nelson Riddle and Prince to Danny Elfman and Siouxsie and the Banshees.
“Everyone was watching that show. Angelo Badalamenti had a huge influence on the shoegaze sound.”
And where Hitchcock leaned on the striking scores of Bernard Hermann to propel his movies, Night seems to be borrowing ideas from … the Pixies?
“body horror was not my term. It was a term someone used to describe what I was doing, so it is not a category in my head that I use to make films.”
The greatest instro-rock band on earth soundtracks a film about one of European football’s infamous titans, and the result is a win for all.
Our reliance upon fossil fuels could spell the end of our species as a whole if we don’t get our shit together.
It’s all an experiment. I want to find things that fire me up, and see if it works for the people.
Scientists are so beautiful. They come up with these things, and then the other side of the coin is that artists grab hold of them, and who knows what can happen? The world is always changing, that’s rule number one.
It’s a dream world now. But like I always say, everybody has access to a piece of paper and a pencil. But how many great stories are written?
I always like random access, and I like the idea that one thing relates to another. And this is part of the internet: It’s so huge, that it is really an unbounded world.
Margaret Cho is taking her revolution to the streets. The most difficult part of revolution? Feeling you deserve one.
Slam poet Saul Williams’ reality is a lyrical one. But don’t tell him he’s keepin’ it real.
we may never experience this kind of cinema storytelling again in our lifetime.
Gibson, as Neale’s documentary is happy to point out, is so much more than the father of cyberspace.
I like great simplicity in all my work. I don’t like lots of florid detail.”
Those who run this country and hand-feed carefully crafted propaganda to the media will immediately and automatically label a show of genuine curiosity about the world and the role of the U.S. government in it as unpatriotic.
When people say that it must have been hard to make this movie, I just go, “Uh, no.” Being an offshore oil worker, that was hard. But this?
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