Ten Years After: Grant Morrison
It’s amazing to think I’ve been interviewing Grant Morrison for over a decade now, having read his experimental comics masterpieces for much longer than that. It’s been deep.
It’s amazing to think I’ve been interviewing Grant Morrison for over a decade now, having read his experimental comics masterpieces for much longer than that. It’s been deep.
“gnaw at the very roots of Batman’s being, fuck up the private lives of his friends and relatives, make him doubt his raison d’etre, set his postal district on fire and blow up his cave.”
(NOTE: This is Friday night’s final draft, written after the horror in Colorado, which followed the death of a friend Thursday in California. It was an emotional process, so I […]
The New 52’s superstars — save a scant few, led by Grant Morrison’s Superman — seem happier being self-indulgent antiheroes than gods of Earth and space.
Those in search of an imaginative writer who makes you feel bad you didn’t find him earlier should take a head-trip through my recent Cornell coverage.
The genius of Superman is that he belongs to everyone, for the dual purposes of peace and protection. He’s above ephemeral geopolitics and nationalist concerns, a universal agent unlike any other found in pop culture.
All-Star Superman is an absolutely refreshing break from that capitulation. Here’s hoping Hollywood is watching, and learning.
Holy multinational vertigo, Batman! With the announcement of Tudors thespian Henry Cavill as cinema’s newest Superman, the British invasion of American superhero turf has reached a Kryptonite pitch.
Because he is unfairly lost to us now, all we have are mounting media replications to inform and console us.
Stephen Colbert’s nightly merge of news, hilarity, social commentary, wit and shameless plugs for everything from his painting in the Smithsonian to his marketable man-seed have fully turned the pop-culture’s self-obsessed mirror upon itself.
Superman/Batman: Public Enemies packs more heroes, action and political satire into a couple hours of entertainment than either icon’s animated series did in the course of several seasons.
From Buckaroo Banzai to SpongeBob SquarePants, veteran actor Clancy Brown has brought a long string of compelling characters to life on TV and movie screens.
Ruled as a suicide, Reeves’ death inspires a series of conspiracy theories and the interpretive biopic Hollywoodland, as well as a persistent urban legend, itself famously known as the Superman curse.
From mind-warping revisions of comic book heroes in All-Star Superman, Batman R.I.P. and Final Crisis, to pop-cultural and philosophical exegeses like The Invisibles, The Filth and We3, brainiac graphic novelist Grant Morrison is a master of the Gordian-knot narrative.
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