Bless This Dump!
[Scott Thill, Morphizm] As you may have noticed, I’m redesigning the site. A glance at the header image above will let you know the place is a mess. But given […]
[Scott Thill, Morphizm] As you may have noticed, I’m redesigning the site. A glance at the header image above will let you know the place is a mess. But given […]
[Scott Thill, Morphizm] After losing the visionary Stephen Colbert, The Daily Show has been leaning heavily on scathing comedians like Jason Jones, Samantha Bee, John Hodgman and this UK import, […]
[Scott Thill, Morphizm] Look, New York Times: You can pay me for my cultural and political insights. People already do. Seriously. Like when you posted that article today advising underwater […]
“I have largely, completely given up on the comics industry,” Moore said. “I really don’t believe it is going to do anything to address the modern world.”
From Trans Am’s revved jams to chilled hypnotics by Swervedriver’s Adam Franklin, there’s plenty of unfairly unheard music from 2009. Wrap your ears around a head-trip’s worth in the streams […]
I finally wrangled some more of my musical content from 2009. Here are four of my Metromix reviews involving the smoothest rappers alive, a guitar army, and a dark dance-pop […]
Well, let’s start wrapping up the stragglers from my year’s worth of content, shall we? Starting with this investigation of the sugar substitute aspartame, which can either kill you outright […]
What’s crazy is that few saw it coming.
From economic misery and political impotence to environmental waste and social catastrophe, American culture is overburdened by nightmares. I wrote an acidic but nevertheless educational rant for AlerNet on how […]
Hey, have you heard the one about the underwater homeowners who unsuccessfully tried to modify their home loans, but got even by tying two loan servicers to chairs and beating […]
I’ve got some great editors at AlterNet. They always keeps me on my toes with interesting topics. One of my favorite editors recently assigned me an analysis of birth rates, […]
“Further devastation of the air, land and sea is obviously a very real possibility.”
Stephen Colbert’s nightly merge of news, hilarity, social commentary, wit and shameless plugs for everything from his painting in the Smithsonian to his marketable man-seed have fully turned the pop-culture’s self-obsessed mirror upon itself.
Its revolutionary mix of geopolitics, sci-fi and psychedelia has influenced not just television, but also music, comics, film and more.
What gets lost in the remake’s dark dissection of human relationships complicated by ubiquitous surveillance and callous commodification is, simply put, ambition.
“De-evolution seems even more a part of our daily reality than ever. There is more misinformation, humans have overrun the planet, and it is not nuclear bombs we must fear, but the human mind. Or lack of it.”
I conceived this article before the Dow passed 10,000, and wrote it afterward. It went up on AlterNet right before the Dow fell from 10,000 and now I’m posting it […]
“It’s kind of like opening up a massive can of worms.”
When people first started writing this stuff, they didn’t call it science fiction.
I always love to interview the conceptual artist Jonathon Keats. His art consists in crafting up out-there propositions that make you think and laugh in equal measure. His latest is […]
Subway has managed to carve out a lucrative niche in a perfect storm of fast food and economic recession.
Superman/Batman: Public Enemies packs more heroes, action and political satire into a couple hours of entertainment than either icon’s animated series did in the course of several seasons.
Comics are coming to life these days, on screens big and small. They’re pwning box offices in Hollywood and Flash-animated versions are ruling downloads in iTunes. So what to call […]
One of the most fun interviews I’ve conducted recently was with a hung-over Patrick Carney, drummer for The Black Keys and architect of the new band called …Drummer!
By the time The Age of Stupid‘s flashbacks are over and the viewer is stuck in a ravaged 2055, the urge to do something immediate is palpable and powerful.
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