Geek The Beatles: Magical Mystery Tour Reboots For Millennials
One man’s crap made-for-TV movie becomes another fan’s Pythonesque art trip, and the popular tastes of the ensuing decades makes up the difference. Who’s your Walrus now?
One man’s crap made-for-TV movie becomes another fan’s Pythonesque art trip, and the popular tastes of the ensuing decades makes up the difference. Who’s your Walrus now?
Price’s influential spirit inhabits some small or large part in almost everything Tim Burton has ever made.
[Here’s the raw feed of my mindmeld with concept artist Jonathon Keats, whose yeast-based art cloning of Barack Obama and Lady Gaga is making cats mad at Wired. Check out […]
(NOTE: This is Friday night’s final draft, written after the horror in Colorado, which followed the death of a friend Thursday in California. It was an emotional process, so I […]
“Both dinosaurs and aliens can be seen as representatives of where we are as people right now.”
“Its core message is not about trying to exploit power differences between the haves and have-nots. It says that real power is what you have between your ears.”
Set in South America’s breathtaking Andes landscape, the visually sweeping new documentary Patagonia Rising bills itself as a frontier story of water and power. But both its frontier and its story nevertheless belong to anyone on the planet that needs water to live.
“The image I drew over a decade ago seems to still be relevant,” Spiegelman said. “Occupy is one of the most significant things happening that could actually bring hope and change to our ravaged nation.”
“As long as the old stuff is given a context and doesn’t overshadow the new, I think it’s a healthy exercise for me, and one that recalibrates me for whatever new musical path lies ahead,” said Shadow.
A psychokinetic steampunk upgrade with a fearless female hero leading the charge.
Punch the term “fracking” into DOGGR’s search today and you’ll receive a white screen with the perhaps accidentally ironic query “Did you mean: cracking” in response.
“No matter which door he picks in this Let’s Make a Deal episode, he comes out a loser. It’s kind of awesome.”
A year ago, the geothermal-rich Japan suffered an utterly predictable earthquake, tsunami and nuclear nightmare that is still currently unfurling in terrible ways.
Doubtless there are further viral horrors awaiting a new millennium with dramatically enhanced genetic and chemical engineering capabilities.
To what should be the surprise of no one, earthquakes caused by the junkie gas sector’s hydraulic fracturing process, known as fracking, have been returning like Freud’s repressed.
I love that The Iron Giant has had a resilient afterlife. It was kind of rough when the film came out, because we all worked really hard on it. No one really seemed to know what it was when it was released, and not that many saw it in theaters.
Nearly 30 years after publishing V for Vendetta, writer Alan Moore and artist David Lloyd are throwing their support behind the global Occupy movement that’s drawn inspiration from their comic’s anti-totalitarian philosophy and iconography.
It’s been an insane year for progressives, who have seized the international spotlight thanks to populist uprisings in politics, economics, media and elsewhere. I shared my list on Thanksgiving at […]
“I hope hip hop can open itself to the possibilities that Occupy Wall Street presents. If we can use its power, we may see some lasting change from this after all.”
My Bloody Valentine’s 1991 musical masterpiece Loveless struggled for the spotlight when it was released, overshadowed by the likes of Nirvana and Pearl Jam. But two decades later, the record’s defiant atmospherics and tremolo experimentation have become more influential than ever.
“We’ve already crossed the threshold.”
Shadow’s musical embrace is warm and wide. Return it.
It’s a democracy failure Davis saw crushed up close, given his proximity to Silicon Valley, where titans like Apple and Google sprouted from technological culture jammers into the undisputed masters of Wall Street’s universe.
While winners ultimately writes histories, what makes a winner often depends on the tenor of the times. And the times they are a-changin’. Again.
The New 52’s superstars — save a scant few, led by Grant Morrison’s Superman — seem happier being self-indulgent antiheroes than gods of Earth and space.
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