All Hail the Return of Autolux!
I’ve been writing about Autolux for years, and yet they always sound fresh to me
I’ve been writing about Autolux for years, and yet they always sound fresh to me
I spoke with Starzak and Kewley about how and why Aardman’s low-budget, big-picture animation continues to compete in our blockbuster marketplace, and why stop-motion can be even more real than hyperreal CGI.
Halloween found me wishing happy birthday to the one and old only Ralph Bakshi, whose anti-sermon shook the toonscape.
“At my age, I wouldn’t release it if I thought it didn’t work.”
Extraordinary Tales brings Poe’s harrowing stories to the screen for newer generations raised on boundless technologies and influences.
German-born artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.
I spoke with Duncan by phone about how his studio’s work on The Iron Giant: Signature Edition came to pass, and why hand-drawn animation, after years of laboring beneath CG’s towering shadow, is on the comeback trail.
It doesn’t take long (at all) for the stubborn and refreshingly frank Tartakovsky to hold forth on his frustrations with the way Hotel Transylvania 2 and Popeye were handled.
http://The studio’s reticence on the matter is understandable, given Bird’s well-documented love of cinema’s theatrical experience. “See it in the movie theater the way it’s meant to be seen,” Bird counsels
With nearly two decades of growing cultural power beneath its indestructible belt, The Iron Giant is shaping up to be as potent and memorable as Kubrick’s Dr. Strangelove.
At long last, Brad Bird’s animated masterpiece of war and peace is back.
“It was created from original drawings by John Lennon and a soundtrack that I also edited together, consisting of snatches of conversation between John and Yoko and song excerpts.”
I interviewed for Eric Power for Cartoon Brew. Hide the kids.
A mellower, more mature effort
If the utilities don’t get on board, then consumers will find someone who will.
Like his Oscar-nominated feature debut The Secret of Kells, his new stunner Song of the Sea is steeped in regional folklore but still a universal wonder. But it is a more personal epic, about the extinction of mythological seal people called Selkies, as explored through a lighthouse family riven by loss and misunderstanding but healed by history and magic.
“gnaw at the very roots of Batman’s being, fuck up the private lives of his friends and relatives, make him doubt his raison d’etre, set his postal district on fire and blow up his cave.”
Bunyan’s long journey and hushed paeans to family are existential lessons wrapped in three sonic chapters.
When last we spoke, DJ Shadow reminded me that the internet is not our savior. He might as well have added that saviors do not exist.
“I am certainly proud to add Korra to the pantheon of TV characters, which is perpetually sorely lacking in multifaceted female characters who aren’t sidekicks, subordinates or mere trophies for male characters,”
We are accelerating toward a real-time extinction the show could help us solve, should we choose to embrace it.
As the dust of the 20th century the Beatles dominated depixelates into memory, Lennon is quietly hacking their legacies to create lasting multimedia of his own.
Pixies are still making great music, and I’m happy to still be listening and interviewing them about it.
“There’s something quaint about these attempts to control us today, in a period where we are boiling with information and complexity, both of which have reached levels that could be called fractal, if that wasn’t a polite way of saying chaotic.“
(Update: This interview has been syndicated at Bright Lights Film and HuffPo.) An environmental idealist stops an illegal oil and gas auction by bidding for parcels he can’t possibly afford. […]
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