Cli-Fi: Angelina Jolie Joins Cartoon Saloon’s The Breadwinner
GKIDS teamed up with Song of the Sea‘s Cartoon Saloon — and Angelina Jolie — to bring Afghanistan’s terrorized tale of the Anthropocene to our poor kids.
GKIDS teamed up with Song of the Sea‘s Cartoon Saloon — and Angelina Jolie — to bring Afghanistan’s terrorized tale of the Anthropocene to our poor kids.
We know there is tragedy but what we see is resilience.
Definitely.
Fort McMurray is predictably swallowed by a sprawling inferno.
Look who popped up, from the beyond.
Who stood for art and beauty and sex and expression, long after public judgment?
If these thankfully human Aliens cannot bring us together, then Earth is without hope.
New York’s Democratic primary was a hot mess that can only be explained via disturbing imagery.
I finished my run as associate editor with a thinker on Herzog, an interview with stop-mo innovators The Quay Brothers, and more.
Can an earnest but alarming cartoon help stop the 500 companies, investors and governments deforesting the Earth to crisis?
I shuttered 2015 with a dive into virtual reality, Oscar upstarts, and more.
Kahlil Gibran’s The Prophet is one of 2015’s most compelling films, but it also happens to be one of the historical highlights of anthology animation.
I spoke with Starzak and Kewley about how and why Aardman’s low-budget, big-picture animation continues to compete in our blockbuster marketplace, and why stop-motion can be even more real than hyperreal CGI.
Halloween found me wishing happy birthday to the one and old only Ralph Bakshi, whose anti-sermon shook the toonscape.
“At my age, I wouldn’t release it if I thought it didn’t work.”
Extraordinary Tales brings Poe’s harrowing stories to the screen for newer generations raised on boundless technologies and influences.
Led by women and empowered by the natural world, Only Yesterday may not be as well-known as Takahata’s masterpieces like Grave of the Fireflies and The Tale of Princess Kaguya, but its revelatory journey through the rural countryside still covers familiar territory.
German-born artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.
Avatar: The Last Airbender and The Legend of Korra are two of the most ambitious and moving animated series of this still-new millennium. Indeed, pound for pound, they can stand alongside most non-animated series and still hold their own.
My continuing bow to The Iron Giant, Brad Bird’s timeless masterpiece of war and peace.
I spoke with Duncan by phone about how his studio’s work on The Iron Giant: Signature Edition came to pass, and why hand-drawn animation, after years of laboring beneath CG’s towering shadow, is on the comeback trail.
It doesn’t take long (at all) for the stubborn and refreshingly frank Tartakovsky to hold forth on his frustrations with the way Hotel Transylvania 2 and Popeye were handled.
http://The studio’s reticence on the matter is understandable, given Bird’s well-documented love of cinema’s theatrical experience. “See it in the movie theater the way it’s meant to be seen,” Bird counsels
From Banksy’s tragicomic Dismaland to Studio Ghibli’s vault, my birthday month was an arty head trip.
With nearly two decades of growing cultural power beneath its indestructible belt, The Iron Giant is shaping up to be as potent and memorable as Kubrick’s Dr. Strangelove.
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