Prince of Cats Is Straight Outta Shakespeare
Like many culture vultures, Wimberly is something of a reboot specialist.
Like many culture vultures, Wimberly is something of a reboot specialist.
“Both dinosaurs and aliens can be seen as representatives of where we are as people right now.”
“Tesla’s true story is more surreal than any fictional account I’ve seen of him.”
“The image I drew over a decade ago seems to still be relevant,” Spiegelman said. “Occupy is one of the most significant things happening that could actually bring hope and change to our ravaged nation.”
When it comes to comics, asserting that all of these things are true is often the same as saying none of them are true.
Happy Halloween! Looking for a nicely timed freakout?
The New 52’s superstars — save a scant few, led by Grant Morrison’s Superman — seem happier being self-indulgent antiheroes than gods of Earth and space.
Those in search of an imaginative writer who makes you feel bad you didn’t find him earlier should take a head-trip through my recent Cornell coverage.
The smart, sharp Beaton casts a much wider cultural dragnet in her otherwise unassuming art, one which snatches up literary, historical and scientific icons without mercy.
“I decided to treat John Lennon as a god.”
“When the state started to take us seriously and initiated countermeasures, the majority of us folded like bitches.”
Straight-up supersoldiers, jingoistic nationalists, unrepentant terrorists and even clueless dunces
DC Comics said hell no, in a manner of speaking.
The genius of Superman is that he belongs to everyone, for the dual purposes of peace and protection. He’s above ephemeral geopolitics and nationalist concerns, a universal agent unlike any other found in pop culture.
All-Star Superman is an absolutely refreshing break from that capitulation. Here’s hoping Hollywood is watching, and learning.
No one mashes science, philosophy and superheroes as well as Grant Morrison. And his years-long run on Batman, the most iconic human superhero of all time, is an object lesson […]
Holy multinational vertigo, Batman! With the announcement of Tudors thespian Henry Cavill as cinema’s newest Superman, the British invasion of American superhero turf has reached a Kryptonite pitch.
I’m an old-school Doctor Who fan, who’s always loved its subversive sci-fi on television and in comics. The latest Time Lord is Matt Smith, who’s a hoot, who’s finally getting […]
“Animation has always had the problem of being perceived as purely for kids,” Tartakovsky told me before Sym-Bionic Titan’s stellar launch. “I think things are better than a few years ago, but the stigma still exists.”
Canadian comics creator Jeff Lemire is a challenging indie crossover. Having made some of the most independent titles of the past decade, he’s now taking on the post-apocalypse for DC […]
Digital comics are ascendant, and it won’t be long until they replace the majority of print comics, which are fast becoming earnings losers as well as environmental wastes of space […]
At last Hollywood is turning back to Daniel Clowes, one of indie comics’ crossover titans.
Mike Mignola’s paranormal mystery Hellboy is one of the finest comics franchises of all time, and its sidekick spin-off Bureau of Paranormal Research and Defense is no slouch either. Ask […]
DC Comics’ mature imprint Vertigo is happy to stray from the spandex in three consecutive releases I recently spotlit over at Wired. But can they hang with pillars of the […]
It wasn’t easy writing this piece, because the reality of John Lennon’s assassination is a heavier load than hyperreality of his simulations. After all, hyperreality’s job is to suck the […]
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