Marvel Comics may be trying to say something about how far America has fallen, post-Obama. But it’s hard to tell from the money.
Last year, I once again interviewed Samurai Jack creator and animation auteur, Genndy Tartakovsky, who told me the samurai’s arrival was imminent. Now here he is, in all of his glory and wonder, when we need him most.
There aren’t enough ways for me to thank Sleater-Kinney for returning from hiatus, even if it was to a sleepy hyperreality still needing to be shaken awake with punk power and poetics.
Paco Roca’s Wrinkles was one of the most moving graphic novels, and animated films, in recent memory. His promising new comic charts a path through the destabilizing territories of war and healing properties of the natural world.
An enduring destabilization of cli-fi, Herman Melville’s metafictional Moby-Dick is a must-read in any format. Dark Horse is working the comics angle.
As lesser artists struggle today for meaning and inspiration, Young finds excesses of both in our increasingly turbulent and apocalyptic epoch.
Bjork’s stunning evolution continues with the interactive VR project, “Family” — which may also be one of the most dazzling cli-fi experiments yet created.
They called me into the office around dawn.
“We want you to clear out the National Parks.”
It is human evil that created the Anthropocene, which in turn has spawned its own strains of villainy.
The infamous German auteur dives beneath the surface of our overheating Earth.
You can’t get more cli-fi than a death machine pretending to be a planet.
One of those rare films, especially in animation, that analyzes the dizzying complexity of life on Earth using what John Muir called the “glacial eye.”
Leonardo DiCaprio has been invested in global warming. His latest exploration of extinction and Earth is upon us.
Atwood is at last joining the realm of comics.
It remains one of the strongest cornerstones of cli-fi
a contract to replace a so-called natural gas nightmare we can see from a space
Mythic interspecies romance enters the epic CGI epoch
The Man Who Broke My Brain
It’s fucking stupid. So who said it?
The Amazon’s lethal, exponential extractivism comes fearsomely into focus
Narrated by Daisy Ridley, executive produced by Ridley and Morgan Spurlock
The North Pole beckons to an overheated world in the feature directorial debut of animator Rémi Chaye.
I’ve spoken a few times with the unorthodox guitar hero Brett Netson, so I’m pretty stoked
An unblinking look at the dramatic debate over nuclear power.
It was just a matter of time before Tesla Motors and SolarCity synergized.