Great news, for an internetworked world locked down, looking for hope. Kipo and the Age of Wonderbeasts is returning for a second season.
A decade ago, I wrote about the myriad ways our planet would refuse to put up with us. Today, I look back, during a global lockdown, as a zoonotic dystopia borne from our ceaseless invasion of Earth ravages so-called civilization.
Solar is only for the rich, goes the usual complaint in defense of a status quo that has led directly to our climate crisis.
That’s a no.
The iconography of cli-fi sets Pearl Jam’s latest effort afire, as our exponential climate crisis fractures the prism between the personal and the political.
Astounding post-apocalyptic animation with both humor and heart is hard to come by these days, as our burning world exponentially slides deeper into climate crisis. Thank our Mother Earth that Kipo and the Age of Wonderbeasts is here to soothe that burn.
What I wanted this year was one of the greatest animated series ever, created by one of the greatest animators ever, to blessedly return for a second chance at changing programming as usual.
Harman’s animated anti-war masterpiece is both a harrowing and instructive climate fiction about what happens when humanity pushes itself and its planet (and that planet’s myriad species) to the brink of extinction.
We’re on the right track to solarization. We just need speed up the pace, brighen up this planet, and save our sorry asses.
Correcting an historical injustice, El-P’s singular, relevant back catalogue will finally return to the land of material and digital reality.
Givng thanks on Thanksgiving for the letters DJ Shadow has been sending, explaining why and where and how the music from his latest, perhaps greatest effort, Our Pathetic Age, was born.
Once upon a time, The Legend Of Korra’s feminist, elemental superhero was one of the most powerful on television. Male, or female, or other, and/or another.
An evocative tale of a surfer who couldn’t resist the pull of our ocean —- to her doom. It’s a slashing anthem set to surreal visuals, filmed around the corner from where I am writing.
A decade ago, I helped give birth to a movement. It doesn’t matter if anyone knows. All that matters is the movement.
Miyazaki is a name, and a legend, not to be taken lightly. This historical truth alone is worth a viewing of Goro Miyazaki’s Ronja, The Robber’s Daughter, a rewarding animated adaptation of Astrid Lindgren’s fantastic coming-of-age cli-fi.
While so many of us may remember the pathbreaking Who Framed Roger Rabbit, how many of us remember the relentless Richard Williams himself, the iconoclastic animator who influenced so many, while somehow remaining a secret?
Now celebrating its 20th anniversary, director Brad Bird’s masterpiece of war and peace has only grown in legend and influence
As colonies collapse and the climate crisis accelerates, bees come into deeper focus in the acclaimed chronicle of a remote space and tradition
When comics influential Karen Berger left DC Comics after leading its mature, visionary imprint Vertigo into the history books, I wrote at Wired that Vertigo would soon follow. I was on or off by a few years, give or take a few years.
Princess Mononoke meets The Never-Ending Man, as Hayao Miyazaki’s blessed return inches closer to the cli-fi future he chronicled, as it happened.
Matthew Rankin’s surreal, synesthesic short film The Tesla World Light is finally free for all to see. Let us hope Nikola Tesla’s utopian hope for free energy isn’t far behind.
A quarter of a century ago, I turned my back on our revolution. As the reprogramming accelerated, I slowed time by pursuing love. But it was not enough.
…the dark cipher who rises with our aspirations and sinks with our capitulations
The animation of Masaaki Yuasa is singular in the sense that we have seen nothing truly like it, yet it would not exist without its anxiety of influences.
A towering influence.
And yet he still left so much to be discovered.
I watch his art each night before dreaming.
Rest in peace, dear influential.
In our apocalyptic epoch, sometimes you need an old-school good time grounded in the natural world. Enter The Big Bad Fox and Other Tales, from the directors of the wondrous Ernest and Celestine, who I interviewed ahead of their consecutive Academy Awards nod.