One of the great things about writing for Civil Eats is that I get a chance to explore several existential concerns at once. For my second piece, I was lucky enough to analyze and evangelize solarization, decarbonization and an agricultural infrastructure with a future.
I am honored to explore the entire University of California system’s sustainable food efforts for my first piece at Civil Eats. Greening these influential universities will upgrade our state’s profile and power, especially if we can reach full sustainability in the short term, which is no easy feat.
Batman is more than capable of meeting demand across social, economic, political and cultural divides.
Last year, I once again interviewed Samurai Jack creator and animation auteur, Genndy Tartakovsky, who told me the samurai’s arrival was imminent. Now here he is, in all of his glory and wonder, when we need him most.
I dove into the data of corporate solar and wind adoption for The Guardian. Corporations are stepping up their renewable energy investment and infrastructure, and there’s no going back, no matter who wins what election.
Let’s turn back to the greatest jam band on the bones, and a master of literary horror, reanimated.
Although he is one of the most immediately recognizable directors in film history, David Lynch originally wanted to be an artist.
a contract to replace a so-called natural gas nightmare we can see from a space
I’ve spoken a few times with the unorthodox guitar hero Brett Netson, so I’m pretty stoked
I’ve been writing about Autolux for years, and yet they always sound fresh to me
Can an earnest but alarming cartoon help stop the 500 companies, investors and governments deforesting the Earth to crisis?
I spoke with Starzak and Kewley about how and why Aardman’s low-budget, big-picture animation continues to compete in our blockbuster marketplace, and why stop-motion can be even more real than hyperreal CGI.
Extraordinary Tales brings Poe’s harrowing stories to the screen for newer generations raised on boundless technologies and influences.
Led by women and empowered by the natural world, Only Yesterday may not be as well-known as Takahata’s masterpieces like Grave of the Fireflies and The Tale of Princess Kaguya, but its revelatory journey through the rural countryside still covers familiar territory.
German-born artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.
Avatar: The Last Airbender and The Legend of Korra are two of the most ambitious and moving animated series of this still-new millennium. Indeed, pound for pound, they can stand alongside most non-animated series and still hold their own.
It doesn’t take long (at all) for the stubborn and refreshingly frank Tartakovsky to hold forth on his frustrations with the way Hotel Transylvania 2 and Popeye were handled.
http://The studio’s reticence on the matter is understandable, given Bird’s well-documented love of cinema’s theatrical experience. “See it in the movie theater the way it’s meant to be seen,” Bird counsels
Whether he’s the destabilizing force of Merrie Melodies and Looney Tunes’ glory days, or more centered in contemporary reboots that can’t measure up, Bugs Bunny remains a towering cartoon influence.
At long last, Brad Bird’s animated masterpiece of war and peace is back.
“A carefully optimized program to provide systems to low-income households at little or no cost.”
Utilities must decide whether they want to part of problem, or its solution.
Apple’s “biggest, boldest and most ambitious project ever” is not the iWatch or the iCar, but a power-purchase agreement with First Solar.
Ten corporations throwing their clout into solar energy.
If the utilities don’t get on board, then consumers will find someone who will.
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